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“Surge Ex Monumentis has a healthy psychedelic rock influence but the heavy metal undertones are undeniable. At times, the record seems to take its inspiration from Pink Floyd as much as from Iron Maiden…” — Decibel

Swedish psychedelic riff rockers JIRM released their Surge Ex Monumentis full-length via Small Stone earlier this month. Formerly Jeremy Irons And The Ratgang Malibus, JIRM has never been more themselves than they are on Surge Ex Monumentis. Even as they redefine who they are and what they do as a band, they remain singularly powerful in their delivery and completely unmistakable. The seven-track Surge Ex Monumentis was captured at Puch Studios in Stockholm, Sweden, mixed by Oskar Lindberg at Svenska Grammofonstudion in Gothenburg, Sweden, and mastered by Chris Gooseman at Baseline Audio Labs in Ann Arbor, Michigan

In celebration of the release of Surge Ex Monumentis, JIRM is pleased to unveil a new video for “The Cultist,” currently playing below alongside their previously-released “Candle Eyes” video.

New Noise Magazine is currently streaming Surge Ex Monumentis, the impending new full-length from Swedish psychedelic riff rockers JIRM, in advance of its Small Stone release next week.

Hear Surge Ex Monumentis at THIS LOCATION.

JIRM, formerly Jeremy Irons And The Ratgang Malibus, has never been more themselves than they are on Surge Ex Monumentis. Even as they redefine who they are and what they do as a band, they remain singularly powerful in their delivery and completely unmistakable. The seven-track Surge Ex Monumentis was captured at Puch Studios in Stockholm, Sweden, mixed by Oskar Lindberg at Svenska Grammofonstudion in Gothenburg, Sweden, and mastered by Chris Gooseman at Baseline Audio Labs in Ann Arbor, Michigan.

Surge Ex Monumentis will see release on CD, digital, and limited edition 2xLP formats via Small Stone on March 16th. Preorders are currently available at THIS LOCATION.

Sometimes in life you have to make a change. And sometimes you have to make a whole bunch of changes. So it is that JIRM is born and stands where once stood Jeremy Irons And The Ratgang Malibus. Having dropped the cumbersome moniker, the Swedish heavy rockers embark on a new era with Surge Ex Monumentis – marked as much by a tightening of sound as name.

For their first record as JIRM, the Stockholm-based four-piece of vocalist/guitarist Karl Apelmo, guitarist Micke Pettersson, bassist Viktor Källgren, and drummer Henke Persson cast off the shackles of expectation entirely. Their style is no less expansive, but it’s become entirely their own, a driving mind meld between psychedelia, classic metal, heavy rock, and individualized realms beyond. Surge Ex Monumentis brims with newfound energy at the same time it benefits from the lessons JIRM have learned since first getting together in 2004 and releasing albums like Elefanta (2009), Bloom (2011), and Spirit Knife (2014), a record Mass Movement crowned, “a blissful mixture of Soundgarden at their grooviest and Pink Floyd…a terrific album of sunny day, top down, cruising music.”

“Surge Ex Monumentis has a healthy psychedelic rock influence but the heavy metal undertones are undeniable. At times, the record seems to take its inspiration from Pink Floyd as much as from Iron Maiden…” — Decibel

“With an underpinning of space metal, heavy progressive swirl and a flourish of psychedelic reaching, the six-minute ‘Candle Eyes’ begins Surge ex Monumentis with a feel that’s both classic and vital… JIRM have their own agenda and their blend when it comes to bringing together heavy rock and prog, and by injecting a current of ’80s-style metal grandiosity — notice I didn’t say ‘glam-diosity;’ that’s not what we’re talking about here — they find a niche for themselves and begin to dig into what will likely be a continuing process of forward creative growth…” — The Obelisk

“While some psychedelia-oriented artists forget to rock and just fumble along, this record keeps rock alive while pushing the lines to space rock without meandering.” — Cosmic Rock

“There seems to be a lot of genuine emotion within the album that you can feel in the songwriting…” — Capital Chaos

“JIRM have found a strong median between ‘70s prog rock, stoner metal, and modern rock instrumentation that feels both distantly stoned and freshly modern…as cinematic as it is engaging…” — Grizzly Butts

“Expansive, atmospheric, progressive, and highly engaging, Surge ex Monumentis is an enjoyable and captivating listen.” — Wonder Metal

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With the purple sun, the hermit was introduced into the wild, through the mountains and the long desert to back home….

Stream / Share “Open Your Wings” HERE

“Surge Ex Monumentis has a healthy psychedelic rock influence but the heavy metal undertones are undeniable. At times, the record seems to take its inspiration from Pink Floyd as much as from Iron Maiden…” — Decibel

Stream / Share JIRM’s “The Cultist” at THIS LOCATION

Surge Ex Monumentis, the impending new full-length from Swedish psychedelic riff rockers JIRM, formerly Jeremy Irons And The Ratgang Malibus, will drop this March via Small Stone.

With as much progressive force as raw sweat behind them, JIRM has never been more themselves than they are on Surge Ex Monumentis, and even as they redefine who they are and what they do as a band, they remain singularly powerful in their delivery and completely unmistakable. The seven-track Surge Ex Monumentis was captured at Puch Studios in Stockholm, Sweden, mixed by Oskar Lindberg at Svenska Grammofonstudion in Gothenburg, Sweden, and mastered by Chris Gooseman at Baseline Audio Labs in Ann Arbor, Michigan.

Decibel Magazine is currently streaming “The Cultist” noting “Surge Ex Monumentis has a healthy psychedelic rock influence but the heavy metal undertones are undeniable. At times, the record seems to take its inspiration from Pink Floyd as much as from Iron Maiden, a sound you can hear on ‘The Cultist.'”

Surge Ex Monumentis will see release on CD, digital, and limited edition 2xLP formats via Small Stone on March 16th. Pre-orders are currently available HERE.

Michigan heavy rockers BISON MACHINE have signed to American heavy rock institution Small Stone Records. The Hamtramck-based volume dealers have been on a this-time-it’s-personal quest to hand-deliver their riffs across the country since the 2015 release of their debut album, Hoarfrost, on Kozmik Artifactz, and with tours throughout the US under their belt, they’re ready to take their game to the proverbial next level.

BISON MACHINE is currently preparing a new album for release later this year as their Small Stone debut. They will enter Rustbelt Studios (Five Horse Johnson, Halfway to Gone, Novadriver) later this Summer to record.

“It’s amazing,” enthuses BISON MACHINE bassist Anthony Franchina about the signing. “Small Stone has released some of my favorite records, from Sasquatch to Greenleaf to Lo-Pan, and we couldn’t be more thrilled to work with Scott [Hamilton] on our next record, which is going to completely blow away everything we’ve done before. We’ll be hitting the road too, so keep an eye out!”

In addition to working on their next LP, the members of BISON MACHINE are involved in organizing the Burnin’ Turf festival, which is set for June 3rd at the Parisville Saloon in Ruth, Michigan with a lineup featuring BISON MACHINE, Wild Savages, Dead Feathers, BoneHawk, Red Stone Souls, Rip VanRipper, and Gear Jammer, as well as chopper games, raffle prizes, van and tank lettering by Zak Warmann of Detroit Sign Painters, camping, DJ Smoak (Loy Smoak Jr.) all the way from San Antonio, bonfires, and of course, plenty of beer. Ticket presales are available at THIS LOCATION.

“I can’t wait to hear what BISON MACHINE bring to this next record,” says Scott Hamilton of Small Stone Records. “They’ve been unstoppable on tour for the last couple years and I’m thrilled to welcome them into the Small Stone fold representing the next generation of great American heavy rock and roll.”

BISON MACHINE released their latest single, “Cloak And Bones,” last year. A video for the track is playing now at THIS LOCATION.

Stay tuned for more on BISON MACHINE, Burnin Turf II, and the new album in the months ahead. [Words by JJ Koczan/The Obelisk]

BISON MACHINE:
Casey O’Ryan – guitar
Breck Crandell – drums
Tom Stec – vocals
Anthony Franchina – bass

For BISON MACHINE coverage contact liz@earsplitcompound.com.

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